First and foremost, we are musicians, and we want other players to find the right product for them. So we take into careful consideration everything from budget to feature set, ease of use and durability to come up with a list of what we can safely say are the best mic stands on the market right now. So, while there are several microphones stands available, the real question you should ask yourself is, "What do I really require from my mic stand?" If you need a mic stand that you can carry with you everywhere you go, the MS-12 is the way to go. If you are preparing to record vocals for a musician, the K&M 21090 is a good option. Of course, if you are going to use the AT2020 on your desk, one of the clamping choices could be better. You cannot go wrong, no matter which path you take! In the world of audio recording, having a reliable microphone stand is essential for capturing crystal clear sound. Whether you are a professional musician, podcaster, or content creator, the right microphone stand can make all the difference in your recording quality. With the popularity of Audio Technica AT2020 microphones, finding the perfect stand to complement this versatile mic is a top priority. In this article, we have curated a list of the top microphone stands that are specifically designed to accommodate the Audio Technica AT2020 microphone. From adjustable boom arms to sturdy desktop stands, we have assembled a comprehensive selection to suit every recording need. Join us as we explore the best microphone stands to elevate your audio recording experience. Related articles

The booms I recommend are the “Mini- Boom” from either Manfrotto Avenger or MSEGrip.com. Both are essentially C-stand columns with a grip head welded to the lower column. Pole: The main part of the stand that rises up from the base, the pole is usually height-adjustable by way of the clutch. Loosening the clutch will allow you to raise an internal pole of a smaller diameter to increase the stand’s height. Our new price match policy guarantees you the same price as other retailers so you’re alway getting the best deal possible... Microphone stands have existed for over 100 years. Nobody actually "invented" them since some of the first microphones had undetachable stands built into the mics themselves. The concept of a stand came along with the invention of the microphone. The disadvantages are that these things really are not designed to mount cameras on and the two telescoping sections column rotates.My wife shoots top down food for a portion of her career and does so with a pretty amazing tripod I cobbled together from a variety of parts - the base of which is a 12' or 15' Manfrotto aluminum and steel tripod; on top of which is a swivel base, and then a Manfrotto extension arm. It is the closest thing you can get to a Foba or Salon stand without buying either: TBH anything - i.e. a boom arm on a kit stand - intended for lights, will be a sore disappointment for this task. They're wobbly, and not designed to accept a proper tripod head and QR plate. This requires a very sturdy stand. I’d go with a heavier duty wide base three legged stand over a C-stand and on the camera mount end you’ll need an adapter with a 5/8-inch (AKA “baby pin”) receiver on one end and either a 1/4”-20 or 3/8”-16 threaded screw on the other. My advice is to mount a tripod head on that adapter so you have control of where the camera is pointing. Although the AT2020 comes with a fairly simple desktop mic stand, it is the first component that should be replaced. Anyone interested in sound recording should invest in a good mic stand. Replacing the stand on your AT2020 will ensure optimum audio quality and versatility.

https://www.bhphotovideo.com/c/product/554071-REG/Manfrotto_161MK2B_161MK2B_Super_Pro_Tripod.html?sts=pi&pim=Y

Based on the new unit, I can now recommend it. Keep in mind that this is not an industrial-strength unit (nor is it priced like one). But for general-purpose use, it is certainly adequate. I suggest you keep an eye on the weight balance so it does not tip over if you put too much weight on the bullhead end (there is a hook on the other end for a counterweight, but I don't think you would want to overweight that end either). The Pixapro Tripod Light Stand with Fixed External Multi-Angle is ideal for Product Photographers, Macro photographers, and videographers who need to film with a top-down perspective. This is yet another industry-standard microphone stand that you will see everywhere and with good reason. The 21090 will last for years because it is durable, versatile, and easy to move. Pros Here at MusicRadar, we are experts in our field, with many years of playing, creating and product testing between us. We live and breathe everything music gear related, and we draw on this knowledge and experience of using products in live, recording and rehearsal scenarios when selecting the products for our guides. Stability: Centre of gravity while in use is an important factor, which is why round-base stands don’t tend to feature boom arms. With a heavy mic attached to the end of a boom, the centre of gravity is shifted upwards and outwards, making the stand more likely to topple over. For this reason, most boom stands tend to have tripod bases, so that the boom arm can be extended in line with one of the three legs for improved stability. On the other hand, tripod stands can present more of a trip hazard for unwary vocalists on a darkened stage, making round-base stands a more practical choice for this use case.

The PSA1+ is the ultimate studio boom arm for podcasters, streamers and broadcasters. Its innovative parallelogram spring design ensures ultra-smooth movement and precise microphone placement in any position, while its fully damped internal springs and neoprene arm cover eliminate mechanical noise for completely silent operation. Integrated cable management ensures your setup is tidy and its extended reach and full 360-degree rotation make it easy to position your microphone exactly where it needs to be. Take your content to the next level. Key Features: A camera Jib. This is probably the better tool for this purpose as it mounts to a sturdy tripod you may already own. And this is what I use after trying the other approach for a number of years. Essentially a shorter, desktop version of a standard, round-base mic stand, the On Stage DS7200QRB embodies the phrase ‘everything you need and nothing you don’t’. Its 5.9” / 150mm-diameter steel base weighs in at a hefty 2.9lb / 1.3kg, making it sturdy enough to support the heaviest of mics without fear of toppling over. Finally, we step away from the desk stands and into something more important. The K&M 21090 is a tripod-base mic stand with a boom handle. Obviously, this would take up a lot more space in your room than a desk-mounted stand. It can, however, provide you with a lot more versatility in your setup. While having such a large mic stand can seem excessive at first, it is the only stand on this list that allows you to record while standing up.

https://www.bhphotovideo.com/c/product/554331-REG/Manfrotto_131DB_131D_Lateral_Side_Arm.html?sts=pi&pim=Y This article offers a basic guide to mic stands, revealing the seven different types as well as which setups they're best suited for. What Is a Microphone Stand? Base: Mic stands usually come with either a round, heavy metal base or a set of three folding tripod-style legs (very occasionally they’ll come with both). Often, the base will feature rubber feet to help dampen vibrations, while tripod legs will be fitted with rubber or plastic end caps. It is designed to enable you to aim your camera in a top-down position, outside of the perimeter of the tripod legs, which is ideal for macro photography and table-top still life photography etc. It also allows you to adjust the height of your camera without having to worry about destabilizing your setup, making it great for capturing studio shots.

The AT2020 is now in thousands of home studios and offices, bedrooms, and conference centres, and it appears to be a class-leading mic for many years to come. The AT2020 has evolved into a versatile mic that excels in pro audio applications while setting the bar higher for other microphones in its price range. Today, the majority of mic stands are free-standing. Their purpose is to act as a mount for your microphone so that you don't have to hold it in your hand. You've probably never seen someone in a recording studio hold their mic by hand, this is because it can result in unwanted vibrations that ruin the take. Ideally you'd do something fixed, like a crossbar between two stands. But this requires cobbling together something, and transport might be rough if you ever have to head to location.

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The Hercules Tripod Base Hideaway Boom Stand MS533B is a sturdy number that’s designed for speed and convenience. At first glance, it appears to be just a simple, single-pole stand with a tripod base, albeit one with a nifty one-handed, squeezable EZ clutch to facilitate rapid height adjustments. Perhaps you have noticed a pattern here, as each stand adds a small amount to the one before it, which is no different. The Neewer NW-35 is a scissor-arm stand that employs a clamp frame, similar to the SB-2, but instead of one point of articulation, the Neewer NW-35 has two. A scissor stand not only allows you to move the mic when using it but it also enables you to shift it out of the way while not in use. Two approaches: adapt a boom arm used for lighting or use the kind of jib used for video work. I have recommendations for both.