Kenneth Cole Black Eau De Toilette 100ml

Product Information

Violet leaf is the primary floral here but it competes with the fruity minty tones and a bit of dusty nutmeg into the heart. water ethylhexyl methoxycinnamate butyl methoxdibenzoylmethane ethylhexyl salicylate alpha-isomethyl ionone linalool citronellol hydroxycitronellol butylphenyl methylpropional hexyl cinnamal limonene. The fragrance features lotus, mandarin orange, ginger, water mint, suede, basil, nutmeg, woody notes, cedar, incense and violet leaf. If the item comes direct from a manufacturer, it may be delivered in non-retail packaging, such as a plain or unprinted box or plastic bag.

It contains of ginger, mandarin orange, basil, water mint, nutmeg, incense, cedar, lotus, exotic woods, amber, musk, violet leaf and suede.Kenneth Cole Black really is just an office scent that came to work in baggy jeans and a band shirt, so the shock and awe only lasts until it gets down to work. You won’t really notice any difference between a product purchased from Perfume’s Club and a product purchased from a seller in our new Marketplace. NOTE: As a seller, you are solely responsible for the legitimacy of the product, and its images and descriptions. First thing's first, this stuff is an ozonic, so if that is something you cannot abide, I suggest checking out right now. I'd use something like Kenneth Cole Black now as a work or office scent, since it doesn't have the "night club factor" anymore after being years removed it.

Read more about the condition New: A brand-new, unused, unopened and undamaged item in original retail packaging (where packaging is applicable).Kenneth Cole Black (2003) was truly a black sheep of sorts, as Kenneth Cole Reaction (2004) and Kenneth Cole Signature (2005) would echo vibes from the original Kenneth Cole New York Men (2002) designed by Steve Demarcado for LVMH, while this one did not. However, it is amazingly powerful by modern standards and it does have a nicely blended late appearing blackish incense note that stands it apart from the modern norm. Rights: access, rectification and deletion of data, as well as other rights, as explained in the additional information, which can be consulted in our Privacy Policy. Jacques Polge must have been a fan of Harry Freemont and Sabine de Tscharner's work here for Kenneth Cole, because he copied about 60% of it into Bleu de Chanel.