Das Lächeln der Gioconda (1953), TV movie directed by Werner Völger, based on play Mortal Coils: Play Huxley, Aldous. The Human Situation: Aldous Huxley Lectures at Santa Barbara 1959, Flamingo Modern Classic, 1994, ISBN 0-00-654732-X In 1944, Huxley wrote the introduction to the Bhagavad Gita – The Song of God, [67] translated by Swami Prabhavananda and Christopher Isherwood, which was published by the Vedanta Society of Southern California. Jesting Pilate, or Jesting Pilate: The Diary of a Journey, or Jesting Pilate: An Intellectual Holiday (1926)

Firchow, Peter (1975). "Science and Conscience in Huxley's "Brave New World" ". Contemporary Literature. 16 (3): 301-316. doi: 10.2307/1207404. JSTOR 1207404.Ropp, Robert S. de, Warrior's Way: a Twentieth Century Odyssey (Nevada City, CA: Gateways, 2002). p 247 For Huxley's biographer and friend, the author Sybille Bedford, the book combined sincerity with simplicity, passion with detachment. [55] "It reflects the heart and mind open to meet the given, ready, even longing, to accept the wonderful. The Doors is a quiet book. It is also one that postulates a goodwill – the choice once more of the nobler hypothesis. It turned out, for certain temperaments, a seductive book". [56] For biographer David King Dunaway, The Doors of Perception, along with The Art of Seeing, can be seen as the closest Huxley ever came to autobiographical writing. [57] Psychiatry [ edit ]

A Woman's Vengeance (1948), film directed by Zoltan Korda, based on novelette " The Gioconda Smile" The following bibliography of Aldous Huxley provides a chronological list of the published works of English writer Aldous Huxley (1894–1963). It includes his fiction and non-fiction, both published during his lifetime and posthumously. [1] [2] Das Genie und die Göttin (1959), TV movie directed by Walter Rilla, based on play The Genius and the Goddess M.C. Rintoul (5 March 2014). Dictionary of Real People and Places in Fiction. Taylor & Francis. p.509. ISBN 978-1-136-11940-8.

Huxley wrote an introduction to the posthumous publication of J. D. Unwin's 1940 book Hopousia or The Sexual and Economic Foundations of a New Society. [53] White, Eric Walter (1979). Stravinsky: The Composer and His Works (2nded.). Berkeley and Los Angeles: University of California Press. ISBN 0-520-03985-8. Il sorriso della Gioconda (1969), TV movie directed by Enrico Colosimo, based on play Mortal Coils: Play Unwin, JD (1940), Hopousia or The Sexual and Economic Foundations of a New Society, NY: Oscar Piest .

The championship trophy for badly timed death, though, goes to a pair of British writers. Aldous Huxley, the author of Brave New World, died the same day as C. S. Lewis, who wrote the Chronicles of Narnia series. Unfortunately for both of their legacies, that day was November 22, 1963, just as John Kennedy's motorcade passed the Texas School Book Depository. Huxley, at least, made it interesting: At his request, his wife shot him up with LSD a couple of hours before the end, and he tripped his way out of this world. [91] Roy, Sumita; Pothen, Annie; Sunita, K. S., eds. (2003). Aldous Huxley and Indian Thought. Sterling Publishers. ISBN 9788120724655. a book review by Stephen Hren: Aldous Huxley's Hands: His Quest for Perception and the Origin and Return of Psychedelic Science". nyjournalofbooks.com . Retrieved 23 August 2022.

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So be aware — aware in every context, at all times and whatever, creditable or discreditable, pleasant or unpleasant, you may be doing or suffering. This is the only genuine yoga, the only spiritual exercise worth practicing. The more a man knows about individual objects, the more he knows about God. The Art of Seeing: An Adventure in Re-education (1942), exploration of the discredited Bates method unproduced screenplays by famous intellectuals". Salon. 15 April 2010 . Retrieved 25 February 2018. Island is a 1962 utopian manifesto and novel by English writer Aldous Huxley, the author's final work before his death in 1963. Although it has a plot, the plot largely serves to further conceptual explorations rather than setting up and resolving conventional narrative tension. [1]